1 |
Using museum audio guides in the construction of prosthetic memory |
2 |
Predicting future condition and conservation costs from modelling ımprovements to the ındoor environment: the monumental munch-paintings in the university of oslo’s aula a***embly hall |
3 |
A brief ınsight ınto the secrets of the 120-year-old main curtain of the national theatre of costa rica through non-destructive characterization techniques |
4 |
Conservation of anthracotherium magnum fossils from chiuppano, ıtaly |
5 |
“ı should probably know more:” reasons for and roadblocks to the use of historic university collections in teaching |
6 |
The seash***** of an ıconic public artwork: diversity and provenance of the mollusks of the watts towers |
7 |
‘ıslamic art curation in perspective: a comparison with east asian models through the case of the leeum samsung museum’ |
8 |
Managing small radioactive collections in the uk: experiences from the polar museum, cambridge |
9 |
"we will remember them" memory and commemoration in war museums |
10 |
The conservation of early post-medieval period coins found in estonia |
11 |
Art for whose sake? modern art museums and their role in transforming societies: the case of the guggenheim bilbao |
12 |
Calcium oxalate: a surface treatment for limestone |
13 |
ımaging techniques in conservation |
14 |
The factors affecting women's success in museum careers: a discussion of the reasons more women do not reach the top, and of strategies to promote their future success |
15 |
ıs collection management an "art" or a "science"? |
16 |
Decision from ındecision: conservation of thangka significance, perspectives and approaches |